Monday, August 18, 2008

Nature Beyond Earth


Outer space, also simply called space, refers to the relatively empty regions of the universe outside the atmospheres of celestial bodies. Outer space is used to distinguish it from airspace (and terrestrial locations). There is no discrete boundary between the Earth's atmosphere and space, as the atmosphere gradually attenuates with increasing altitude. Outer space within the solar system is called interplanetary space, which passes over into interstellar space at what is known as the heliopause.

Outer space is certainly spacious, but it is far from empty. Outer space is sparsely filled with several dozen types of organic molecules discovered to date by microwave spectroscopy, blackbody radiation left over from the big bang and the origin of the universe, and cosmic rays, which include ionized atomic nuclei and various subatomic particles. There is also some gas, plasma and dust, and small meteors. Additionally, there are signs of human life in outer space today, such as material left over from previous manned and unmanned launches which are a potential hazard to spacecraft. Some of this debris re-enters the atmosphere periodically.

Although the planet Earth is currently the only known body within the solar system to support life, current evidence suggests that in the distant past the planet Mars possessed bodies of liquid water on the surface.For a brief period in Mars' history, it may have also been capable of forming life. At present though, most of the water remaining on Mars is frozen. If life exists at all on Mars, it is most likely to be located underground where liquid water can still exist.

Conditions on the other terrestrial planets, Mercury and Venus, appears to be too harsh to support life as we know it. But it has been conjectured that Europa, the fourth-largest moon of Jupiter, may possess a sub-surface ocean of liquid water and could potentially host life.



matter and Energy


Some fields of science see nature as matter in motion, obeying certain laws of nature which science seeks to understand. For this reason the most fundamental science is generally understood to be "physics"—the name for which is still recognizable as meaning that it is the study of nature.

Matter is commonly defined as the substance of which physical objects are composed. It constitutes the observable universe. The visible components of the universe are now believed to compose only 4 percent of the total mass. The remainder is believed to consist of 23 percent cold dark matter and 73 percent dark energy. The exact nature of these components is still unknown and is currently under intensive investigation by physicists.

The behavior of matter and energy throughout the observable universe appears to follow well-defined physical laws. These laws have been employed to produce cosmological models that successfully explain the structure and the evolution of the universe we can observe. The mathematical expressions of the laws of physics employ a set of twenty physical constants that appear to be static across the observable universe. The values of these constants have been carefully measured, but the reason for their specific values remains a mystery.



Beauty in nature


Beauty in nature has long been a common theme in life and in art, and books emphasizing beauty in nature fill large sections of libraries and bookstores. That nature has been depicted and celebrated by so much art, photography, poetry and other literature shows the strength with which many people associate nature and beauty. Why this association exists, and what the association consists of, is studied by the branch of philosophy called aesthetics. Beyond certain basic characteristics that many philosophers agree about to explain what is seen as beautiful, the opinions are virtually endless.

Looked at through the lens of the visual arts, nature and wildness have been important subjects in various epochs of world history. An early tradition of landscape art began in China during the Tang Dynasty (618-907). The tradition of representing nature as it is became one of the aims of Chinese painting and was a significant influence in Asian art. Artists learned to depict mountains and rivers "from the perspective of nature as a whole and on the basis of their understanding of the laws of nature … as if seen through the eyes of a bird." In the 13th century, the Song Dynasty artist Shi Erji listed "scenes lacking any places made inaccessible by nature," as one of the 12 things to avoid in painting.

In the Western world the idea of wilderness having intrinsic value emerged in the 1800s, especially in the works of the Romantic movement. British artists John Constable and JMW Turner turned their attention to capturing the beauty of the natural world in their paintings. Before that, paintings had been primarily of religious scenes or of human beings. William Wordsworth’s poetry described the wonder of the natural world, which had formerly been viewed as a threatening place. Increasingly the valuing of nature became an aspect of Western culture.This artistic movement also coincided with the Transcendentalist movement in the Western world.



Wilderness


Wilderness is generally defined as a natural environment on Earth that has not been directly modified by human activity. Ecologists consider wilderness areas to be an integral part of the planet's self-sustaining natural ecosystem (the biosphere).

The word, "wilderness", derives from the notion of wildness; in other words that which is not controllable by humans. The word's etymology is from the Old English wildeornes, which in turn derives from wildeor meaning wild beast (wild + deor = beast, deer). From this point of view, it is the wildness of a place that makes it a wilderness. The mere presence or activity of people does not disqualify an area from being "wilderness." Many ecosystems that are, or have been, inhabited or influenced by activities of people may still be considered "wild." This way of looking at wilderness includes areas within which natural processes operate without very noticeable human interference.